NMI’s RESOURCE CENTER for musical theatre writers

insider tips

glosssary of terms

FREE format video

public domain ideas

FREE curriculum video

theatre archives

Welcome to the musical theatre writers’ Resource Center.

This is a FREE page hosted by New Musicals Inc.
As of September 1, 2024, we are NO LONGER maintaining a list of Producers and Theatres, or a Contests Listing. We have found we are no longer able to keep those lists properly up-to-date.
BUT we encourage you to check out the offerings from our friends at MusicalWriters.Com who have a wealth of resources for musical theatre writers!
What you can still find on this page is:
  • an idea library of thousands of royalty-free public domain stories and plots
  • a glossary of musical theatre terms (with audio/video examples)
  • access to short videos filled with tips and advice from NMI staff
  • access to critical feedback options and format guidelines from NMI

Enjoy!


FORMAT LIKE A PRO


Watch this FREE video to learn how to implement the FORMAT GUIDELINES specifically designed by New Musicals Inc. Make sure your script and score look professional and are ready to go into development.

Want more tools to help you get your formatting right?

*** VISIT OUR FORMATTING PRODUCTS PAGE ***



LIBRARY OF IDEAS (Royalty Free)

FREE ACCESS to a library of 1000+ downloadable royalty-free stories, plays, plots and other inspiring indeas we’ve found in the public domain for you. There’s a brief excerpt of every item in the library, so you can take a quick glance to see whether or not you want to read the whole text. In addition, the NMI staff has made annotations and recommendations for many of the titles in the library about their potential to become musicals. Save hundreds of hours of research and reading!


Here are some random samples from our listings of story ideas in the public domain:

      • The Door (by Guy de Maupassant)
      • Doll I’ The Grass (by Sir George Webbe Desent)
      • The Sorcerer (by W.S. Gilbert)
      • The Humble Peasant (by Ambrose Bierce)
      • The Lad And The Deil (by Sir George Webbe Dasent)

      *** LINK TO COMPLETE LIBRARY OF IDEAS ***


IMPROVE YOUR CRAFT


New Musicals Inc. offers a whole series of professional online LABS for bookwriters, lyricists, and composers who are serious about improving their craft. This video is a FREE sample of one of the lecture videos from the all new Lyric Lab 1 - Fundamentals.

FREE PROGRESSION HANDOUT


NEED SOME FEEDBACK?


Have you written a musical? Are you working on one? NMI has smart, professional, detailed dramaturges who will help you make sure you are on the strongest path to fulfilling the promise of your work. From video and audio feedback packages to one-on-one dramaturgical sessions, we have what you need to take the next step forward. We even have an annual contest that results in a workshop and concert reading in Los Angeles.

"We really did appreciate all your help - you’ve got just the right tone to critique. It’s a matter of 'A Spoonful of Sugar Helps The Medicine Go Down'!”
                    ~~George Stiles
          (Mary Poppins, Honk, Soho Cinders)

*** Check out NMI's Feedback options ***


MUSICAL THEATRE ARCHIVES


Here's a sample of items from our vault of historical photos, and musical theatre trivia about events that happened THIS month in the past:

      • October 14, 1930     The Gershwins’ Girl Crazy opened on Broadway, making a star of Ethel Merman, who stopped the show cold with “I Got Rhythm”.
      • October 17, 1967     Hair opened at The Public Theatre for a brief Off-Broadway run of 50 performances, prior to a Broadway transfer a few months later.
      • October 20, 1935     Jerry Orbach, star of the original productions of The Fantasticks, Carnival!, Promises, Promises, Chicago, and 42nd Street – as well as revivals of Guys and Dolls and Annie Get Your Gun – was born today.

      *** Click to access the full archives. ***


INSIDER TIPS AND ADVICE


Here is one of our videos with insider tips and advice:


GLOSSARY OF TERMS


Here are some samples from our Glossary of definitions of musical theatre terms. We will be adding to this over time - as well as adding actual sample scores and sound recordings. Check back often!

      • Anthimeria:

        The substitution of one part of speech for another. (using nouns as verbs, or adjectives as nouns, etc.) Such as:

        Can you text my cellphone with directions to your house?
        Google the restaurant to find their address.
        He encyclopediaed me all evening until I felt like an idiot.
        Summer me, winter me.
        The buffalo nooned in the shade, switching flies.

      • Beaming:

        ANMT recommends beaming according to the BEATS of the time signature.  (Example:  In 4/4, beam eighth notes in groups of TWO, to create a visual representation of beats one, two, three and four.)  See video example (which also includes some tips about how to execute beaming in Finale).

      • Button:

        A musical punctuation to indicate the definitive end of a song. A button could be a single note, loud or soft, or a chord, or a short musical phrase. The button’s main function is to assure the audience it’s time to applaud. Examples include most every song from:

        • Avenue Q
        • Honeymoon in Las Vegas
      • Duet:

        A song in which two singers sing simultaneously, at least for a portion of the song.

      • Mezzo Soprano:

        Literally “medium soprano” which is a term applied to sopranos with a lower tessitura who sing more in the lower part of their range.

      *** Click to access the full glossary. ***


Poster for Cohan & Harris


That it’s the music, there’s no doubt of it.
Cut all the cheap cadenzas out of it.
Music to please the gang
With plenty of biff and bang.

--George M. Cohan