Welcome to the musical theatre writers’ Resource Center.

This is a FREE page hosted by New Musicals Inc.
As of September 1, 2024, we are NO LONGER maintaining a list of Producers and Theatres, or a Contests Listing. We have found we are no longer able to keep those lists properly up-to-date.
BUT we encourage you to check out the offerings from our friends at MusicalWriters.Com who have a wealth of resources for musical theatre writers!
What you can still find on this page is:
  • an idea library of thousands of royalty-free public domain stories and plots
  • a glossary of musical theatre terms (with audio/video examples)
  • access to short videos filled with tips and advice from NMI staff
  • access to critical feedback options and format guidelines from NMI

Enjoy!


FORMAT LIKE A PRO


Watch this FREE video to learn how to implement the FORMAT GUIDELINES specifically designed by New Musicals Inc. Make sure your script and score look professional and are ready to go into development.

Want more tools to help you get your formatting right?

*** VISIT OUR FORMATTING PRODUCTS PAGE ***



LIBRARY OF IDEAS (Royalty Free)

FREE ACCESS to a library of 1000+ downloadable royalty-free stories, plays, plots and other inspiring indeas we’ve found in the public domain for you. There’s a brief excerpt of every item in the library, so you can take a quick glance to see whether or not you want to read the whole text. In addition, the NMI staff has made annotations and recommendations for many of the titles in the library about their potential to become musicals. Save hundreds of hours of research and reading!


Here are some random samples from our listings of story ideas in the public domain:

      • The Fairy Nurse (by Andrew Lang)
      • The Ransom of Red Chief (by O. Henry)
      • Habakkuk (by Katharine Fullerton Gerould)
      • Dishes (by Agnes Mary Brownell)
      • A Duel (by Guy de Maupassant)

      *** LINK TO COMPLETE LIBRARY OF IDEAS ***


IMPROVE YOUR CRAFT


New Musicals Inc. offers a whole series of professional online LABS for bookwriters, lyricists, and composers who are serious about improving their craft. This video is a FREE sample of one of the lecture videos from the all new Lyric Lab 1 - Fundamentals.

FREE PROGRESSION HANDOUT


NEED SOME FEEDBACK?


Have you written a musical? Are you working on one? NMI has smart, professional, detailed dramaturges who will help you make sure you are on the strongest path to fulfilling the promise of your work. From video and audio feedback packages to one-on-one dramaturgical sessions, we have what you need to take the next step forward. We even have an annual contest that results in a workshop and concert reading in Los Angeles.

"We really did appreciate all your help - you’ve got just the right tone to critique. It’s a matter of 'A Spoonful of Sugar Helps The Medicine Go Down'!”
                    ~~George Stiles
          (Mary Poppins, Honk, Soho Cinders)

*** Check out NMI's Feedback options ***


MUSICAL THEATRE ARCHIVES


Here's a sample of items from our vault of historical photos, and musical theatre trivia about events that happened THIS month in the past:

      • September 20, 2001     Urinetown, that musical with the title least likely to succeed, opened on Broadway. The darkly comic show won Tony Awards for Best Direction, Best Score, and Best Book of a Musical.
      • September 16, 1924     Lauren Bacall, star of Applause and Woman of the Year who came to the musical stage after 25 years of movie stardom, was born today.
      • September 18, 1905     Choreographer Agnes de Mille, who changed the face of dance forever with her integrated work on Oklahoma!, Carousel, and her Tony-winning Brigadoon, was born today.

      *** Click to access the full archives. ***


INSIDER TIPS AND ADVICE


Here is one of our videos with insider tips and advice:


GLOSSARY OF TERMS


Here are some samples from our Glossary of definitions of musical theatre terms. We will be adding to this over time - as well as adding actual sample scores and sound recordings. Check back often!

      • Ensemble song:

        A song in which more than two singers sing, usually simultaneously, but perhaps in counterpoint.

      • Integrated script:

        A combination of script and score, with running page numbers, prepared for rehearsal purposes, in the following order: book, lyric, music, book, lyric, music, etc.

      • List song:

        The list song is a song whose prime characteristic is lyric which features a list centered on a topic. Secondary characteristics vary, but might include: rapid tempo or pace, clever rhymes, minimal grammar and a sense of absurdity. But not all list songs are rapid, and some are serious. Often the raison d’etre of a list song is to feature a performer or to show off a clever lyricist. Examples include: “I am the Very Model of a Modern Major General” (Pirates of Penzance); “The Elements” (Tom Lehrer); “Tchaikovsky and Other Russians” (Ira Gershwin); “You’re the Top” (Cole Porter); “My Favorite Things” (The Sound of Music).

      • Writing Musical Theater:

        by Allen Cohen and Steve L. Rosenhaus. Palgrave, Macmillan, 2006.

      • ABAC:

        A refrain structure in which an initial A section is followed by a section of contrasting musical material (“B section”), followed by a repetition of the initial A section, and concluded with new material (“C section”). Lyrics change in each section, but there is usually a repeated lyric in the same location of each A section (e.g., lyric is repeated either the beginning or the end of the A sections). Generally this corresponds to a refrain of typically 8-bar sections. ABAC refers to the structure of the Refrain, not the structure of the song.

      *** Click to access the full glossary. ***


Billboard for “Oh! Calcutta”; Times Square; Forty-Second Street, New York. 1981. Photograph by Andreas Feininger (1906-1999). From the Collections of the Museum of the City of New York.


There’s a fine, fine line
Between together,
And not.
And there’s a fine, fine line
Between what you wanted,
And what you got.

--Robert Lopez and Jeff Marx