musical theatre writers' resource center NEWSLETTER
UPCOMING CONTEST DEADLINES |
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INSIDER TIPS AND ADVICE |
July 7, 2024 How to Get NO Feedback from Elise: Vlog 82 – How is this Musical Different from All Other Musicals? Part 3 – The Idea by Erik Bork. July 7, 2024 How to Get NO Feedback from Elise: Vlog 81 – How is this Musical Different from All Other Musicals? Part 2 – Dramatic by Chris Huntley. May 1, 2024 How to Get NO Feedback from Elise: Vlog 80 – How is this Musical Different from All Other Musicals? (a 4-part series). April 1, 2024 How to Get NO Feedback from Elise: Vlog 79 – The moment BEFORE and AFTER the Song April 1, 2024 How to Get NO Feedback from Elise: Vlog 78 – ACTIVATING THE “ENSEMBLE” SONG *** Visit the INSIDER TIPS page to see the full listing of insider tips and advice videos. *** |
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SAMPLE PUBLIC DOMAIN IDEAS |
The Brief Début Of Tildyby O. Henry EXCERPT: Tildy was a good waitress, and the men tolerated her. They who sat at her tables spoke to her briefly with quotations from the bill of fare; and then raised their voices in honeyed and otherwise-flavoured accents, eloquently addressed to the fair Aileen. They writhed in their chairs to gaze around and over the impending form of Tildy, that Aileen’s pulchritude might season and make ambrosia of their bacon and eggs. And Tildy was content to be the unwooed drudge if Aileen could receive the flattery and the homage. The blunt nose was loyal to the short Grecian. She was Aileen’s friend; and she was glad to see her rule hearts and wean the attention of men from smoking pot-pie and lemon meringue. But deep below our freckles and hay-coloured hair the unhandsomest of us dream of a prince or a princess, not vicarious, but coming to us alone. There was a morning when Aileen tripped in to work with a slightly bruised eye; and Tildy’s solicitude was almost enough to heal any optic. “Fresh guy,” explained Aileen, “last night as I was going home at Twenty-third and Sixth. Sashayed up, so he did, and made a break. I turned him down, cold, and he made a sneak; but followed me down to Eighteenth, and tried his hot air again. Gee! but I slapped him a good one, side of the face. Then he give me that eye. Does it look real awful, Til? I should hate that Mr. Nicholson should see it when he comes in for his tea and toast at ten.” Tildy listened to the adventure with breathless admiration. No man had ever tried to follow her. She was safe abroad at any hour of the twenty-four. What bliss it must have been to have had a man follow one and black one’s eye for love! A Fatal Disorderby Ambrose Bierce EXCERPT: A Dying Man who had been shot was requested by officers of the law to make a statement, and be quick about it. “You were assaulted without provocation, of course,” said the District Attorney, preparing to set down the answer. COMMENTS: Sardonic. Cynical. Fun. The Cabuliwallahby Rabindranath Tagore EXCERPT: My five years’ old daughter Mini cannot live without chattering. I really believe that in all her life she has not wasted a minute in silence. Her mother is often vexed at this, and would stop her prattle, but I would not. To see Mini quiet is unnatural, and I cannot bear it long. And so my own talk with her is always lively. One morning, for instance, when I was in the midst of the seventeenth chapter of my new novel, my little Mini stole into the room, and putting her hand into mine, said: “Father! Ramdayal the door-keeper calls a crow a krow! He doesn’t know anything, does he?” Before I could explain to her the differences of language in this world, she was embarked on the full tide of another subject. “What do you think, Father? Bhola says there is an elephant in the clouds, blowing water out of his trunk, and that is why it rains!” And then, darting off anew, while I sat still making ready some reply to this last saying: “Father! what relation is Mother to you?” With a grave face I contrived to say: “Go and play with Bhola, Mini! I am busy!” Debby’s Debutby Louisa May Alcott EXCERPT: “I never intend to dance with Mr. Ellenborough again, so please don’t urge me, Aunt Pen;” and Debby knit her brows with a somewhat irate expression. “My love, you astonish me! He is a most agreeable and accomplished young man,–spent three years in Paris, moves in the first circles, and is considered an ornament to fashionable society. “What can be your objection, Dora?” cried Mrs. Carroll, looking as alarmed as if her niece had suddenly announced her belief in the Koran. “One of his accomplishments consists in drinking champagne till he is not a ‘desirable partner’ for any young lady with a prejudice in favor of decency. His moving in ‘circles’ is just what I complain of; and if he is an ornament, I prefer my society undecorated. Aunt Pen, I cannot make the nice distinctions you would have me, and a sot in broadcloth is as odious as one in rags. Forgive me, but I cannot dance with that silver-labelled decanter again.” COMMENTS: Debby prefers the poorer, honest fella to the rich but amoral social climber. It’s a romance such as you’d expect from Louisa May Alcott; earnest and straightforward. Not enough plot to fill more than a short one act, but a sturdy enough dilemma to adapt into a charming period piece. The Impolite Sexby Guy de Maupassant EXCERPT: Madame de X. to Madame de L. ETRETAT, Friday. My Dear Aunt: I am coming to see you without anyone knowing it. I shall be at Les Fresnes on the 2d of September, the day before the hunting season opens, as I do not want to miss it, so that I may tease these gentlemen. You are too good, aunt, and you will allow them, as you usually do when there are no strange guests, to come to table, under pretext of fatigue, without dressing or shaving for the occasion. They are delighted, of course, when I am not present. But I shall be there and will hold a review, like a general, at dinner time; and, if I find a single one of them at all careless in dress, no matter how little, I mean to send them down to the kitchen with the servants. *** Visit the PUBLIC DOMAIN IDEAS to see the complete stories *** |
As a Musical Theatre Writers’ Resource Center subscriber, you receive this newsletter once a month.
In it, you will find a listing of videos with insiders tips and advice; a listing of upcoming contest deadlines; links to our newest featured video releases; listings for new Writer Bank Members who have joined recently; some sample public domain ideas from our library; and some fun samplings of pictures, lyrics, and musical theatre historical trivia.
Make sure to visit the RESOURCE CENTER online to see complete listings; as well as listings of theatre companies, useful links, and links to online musical theatre videos.
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Cover of the score for Maggie Murphy’s home, words by Edward Harrigan, music by Dave Braham . C1890. Location: The New York Public Library for the Performing Arts / Music Division |
Kiss today goodbye, the sweetness and the sorrow. --Ed Kleban |
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MUSICAL THEATRE ARCHIVES |
September 23, 1987 Director/choreographer Bob Fosse died of a heart attack, leaving behind an opus of work few of his contemporaries could even begin to compare with. September 13, 1948 Nell Carter, Tony Award and Emmy winner for Ain’t Misbehavin’, was born today. Later a television star, Carter’s also appeared in the 1979 film version of Hair and returned to Broadway two decades later to play Miss Hannigan in a revival of Annie. September 20, 2001 Urinetown, that musical with the title least likely to succeed, opened on Broadway. The darkly comic show won Tony Awards for Best Direction, Best Score, and Best Book of a Musical. September 6, 1985 A concert version of Stephen Sondheim and James Goldman’s legendary musical Follies played two nights only at Lincoln Center. All 5,500 tickets sold out in less than three hours. The all-star cast included Barbara Cook, Lee Remick, Elaine Stritch, Carol Burnett, Mandy Patinkin, George Hearn, and Comden and Green, among others. September 16, 1924 Lauren Bacall, star of Applause and Woman of the Year who came to the musical stage after 25 years of movie stardom, was born today. |
My romance --Lorenz Hart |
Ruth St Denis in From a Grecian Vase, Orpheum vaudeville act based on the Greek pageant of 1916. 1917. Photographer: Bachrach. Location: The New York Public Library for the Performing Arts / Jerome Robbins Dance Division. From the collection Treasures of the American Performing Arts, 1875-1923 |
The broken dates, --Lorenz Hart |
new musicals ... intoxicating |